The expatriation of culture
The rift between exoticising a culture – thereby turning it into an object of study and assessment – and expatriating it – thereby looting and destroying its artefacts, its cultural relevance – is actually a fiction. There’s no rift, in other words, and if there is, it is largely fictional, and like all fictions is maintained to promote the kind of superficial gloss that Orientalism has thrived on: a separation of the material from the ideological in the West’s dealings with the East. What is there in the robbery of the Koh-i-Noor that bears any resemblance to the destruction of the temple and the kovil?
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