War & Domination By Other Means: Postwar Tourism In The East Coast

In one of the images that showcase the luxury and splendor that Anilana Hotel in Passikuda has to offer, we see a woman in a bikini. She could be a light skinned Sri Lankan or South Asian, or a well-tanned foreigner. Her cosmopolitan globalness makes her a universal sexual figure. She is lying back on a lounge chair, sun-glasses on, sex appeal on full blast, soaking it all in and looking in the direction of the camera. What caught my attention about this image is that her chair is not just by the beach, but actually in the water, so it looks like she is floating. Secondly, there is a Sri Lankan in the image (his identity seems another version of the global “local server”), in sarong and shirt, walking away after having served her. While many of the other images advertising the splendor of Passikuda show you only empty, pristine beaches, where all local populations have been cleansed from the landscape, in this image, he is allowed in as a visual fantasy of all that is on offer. We only see his back and a tray on his shoulder. He is diminished in size compared to the focus of the image on her. The message conveyed by these two bodies is telling of post-war development and tourism inPassikuda. Besides the simple fact that walking in the water with a sarong all the way down, having to hold on to a tray may be an arduous task, his retreating body suggests many other things. Perhaps he has offered her sex as one of the services he provides along with the drink? Perhaps this is the fantasy of the tourist industry there, to make all working class and poor Sri Lankans serve the local and global wealthy? Either way, his complete “upright” (pun intended) servicing of her and her post-serviced, on her back, ecstasy tells us a lot about neoliberal development in the Eastern Province of Sri Lanka.
