Peace for the World

Peace for the World
First democratic leader of Justice the Godfather of the Sri Lankan Tamil Struggle: Honourable Samuel James Veluppillai Chelvanayakam

Sunday, August 19, 2012


Ethnic Conflict And Literary Perception: Tamil Poetry In Post-Colonial Sri Lanka


By M A Nuhman -August 19, 2012
Prof. M A Nuhman
Colombo TelegraphThe ethnic conflict inSri Lankahas had a direct impact on literary production in Tamil, comparatively greater than in the case of Sinhala. This is largely due to the fact that it has been the Tamil-speaking communities who were most directly and severely affected by the ethnic conflict throughout the postcolonial period.
The Tamil language is shared by three distinct ethnic communities in Sri Lanka, namely the Sri Lankan Tamils, the Muslims and the Malayaha (= hill country) Tamils, with their own dialect variations. This linguistic pluralism and the associated ethnic distinctions reflect in literary production too. Hence, when we speak of Tamil literature or Tamil poetry in ethnically divided contemporary Sri Lanka, the term encompasses a multi-ethnic socio-political context and reality.
In my essay, I briefly discuss the historical background of the ethnicity formation and polarization of the Tamil-speaking communities and their literary production, with special reference to poetry.
Sri Lankan Tamils: Linguistic Nationalism, the Separatist War and Poetry
The Sri Lankan Tamils are among the early settlers in this country (Indrapala 2005), coexisting and interacting with other social groups from the beginning of the historical period. Although Tamil has coexisted with Sinhala from the early historical period in Sri Lanka, a continuous Tamil literary history can be dated only from the 13thcentury. However, a few poems appearing under their author’s name, Eelaththu Puuthan Theevanar (Puuthan Theevan from Elam [Sri Lanka]) are found in the Sankam anthologies that belong to the first three centuries of the Christian era. Even though the author’s Sri Lankan identity cannot be firmly established from his poems, we can assume that there probably would have been Tamil literary activity in ancient Sri Lanka, since we have strong archaeological evidence for the existence of a rich megalithic culture parallel to the one found in South India that produced a rich amount of classical Tamil poetry during that period (Ragupathy1987). Apart from this, a couple of Tamil verses are found among the Sigiri Graffiti that belong to the period from the 8th to the 10th centuries, providing further evidence for the existence of Tamil literary activity in the country before the 13th  century (Paranavithana 1956).
Although there is a fairly long history of Tamil literature in Sri Lanka, there is no evidence of an ethnic consciousness or conflict finding expression in Tamil literary works until the late 19th century. Ethnic awareness and ethno-nationalisms emerged in the form of religious and cultural revivalism in Sri Lanka from the mid-19th century (Wilson 2000).  Buddhist, Hindu and Islamic revivalist movements were active in formulating and consolidating ethnic identities with political overtones in the respective communities.  As far as Tamil writing was concerned, Arumukanavalar and Siddhi Lebbe played a major role in this respect in the late 19th century.